–

I would quibble a bit with #3, particularly with the idea that “chamber groups are growing into the symphony model.” I would say that the reverse is true (symphonies are moving into the chamber model), and use some of the same examples you give (alternative concert spaces and media), and also note that small chamber ensembles are using the models of rock bands to achieve success, through constant touring and performing. The type of touring that 8bb and Alarm do is unlike any symphony that I know. And the type of residencies that they do are very different from those of symphonies.

Some symphonies are learning how to diversify. Salonen did this with the LA Phil, promoting new music concerts with a smaller ensemble, and encouraging the musicians to pursue side projects of interest. The Seattle Symphony had a smaller subset perform at Le Poisson Rouge the night before its big Carnegie Hall Concert. I think the success of chamber groups points to how it is easier to survive as a small ensemble with lower costs given the current economic climate. Orchestras aren’t dead, but we (universities) need to do more to promote chamber music instruction as part of our overall emphasis on entrepreneurialism.